計畫成果及亮點/The Achievement and Highlights of the Project
善盡社會責任：109年
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本校成立藝術社會實踐中心，從北藝大專業領域特色出發，與在地社群形成夥伴關係，系統化建構「地方學」文化知識內涵，並著眼於創作展演轉化再現地方文化內容，從而落實藝術大學的社會責任。109年申請獲補助孵育4項子計畫。在校級協助機制上，由主冊支應專任人員1員額及基地運作業務費100萬元；依本校延攬及留住特殊優秀人才彈性薪資支給原則，以彈性薪資獎勵、全英語授課獎勵方式鼓勵參與社會實踐課程與計畫教師帶領團隊。
Through the establishment of the USR Hub, TNUA connects with local communities, builds systematic knowledge base of local historical studies, and transforms cultures with creativity to fulfill its social responsibility. In 2020, four subprojects acquired subsidies from the government and the support of one project personnel and one million NTD of commercial cost from TNUA. Also, according to the Principle of Merit Pay for the Co-optation and Retention of Outstanding Talent, TNUA encourages faculties participating in social responsibility projects and curriculum with merit pay and English as a medium of instruction opportunities.
相關連結 Relevant Links｜本校藝術社會實踐中心
本校USR計畫Hi-Five Plus: 從北投平埔族群到屏東原住民的國際藝術對話、本校藝術服務學習成果
【亮點】臺北市．北投．關渡
孵育成功的「鬧熱關渡節」由北藝大轉移地方自主運營
【Highlights】Taipei City, Beitou, Guandu
Fun Guandu Festival Transformed to Independent Operation
104年由北藝大策畫、連結關渡地區各級學校、里辦公室、社群、社會機構及臺北市政府等單位合作催生的「鬧熱關渡節」，成功塑造以人文創新與地方關懷視角進入不同場域，以藝術教育工作坊進行社區培力的典範。108年成功推動學校與地方團體共同成立「關渡文化藝術基金會」，109年鬧熱關渡節從由學校主導推動的社區節慶轉型為由地方自組基金會推動，實質推進北投在地發展。
Fun Guandu, a festival organized by TNUA and connected with schools in Guandu, village offices, communities, social organizations, and Taipei City Government in 2015, has become a role model of humanity reformation, concern for local, and community empowerment. In 2019, Gandu Culture and Art Foundation was founded by TNUA and communities, and transformed Fun Guandu from local festival to a foundation-supported independent event in 2020.
【亮點】臺東縣．關山．電光：
臺東關山老故事藝術節戲劇創作計畫《戲說雷公火》
【Highlight】Taitung County, Guanshan, Kaadaadaan
Drama Creation Project for Guanshan Old Story Art Festival in Taitung - the Battle at Thunderbolt
作為本校「藝術翻轉、地方創生」首項重點計畫，以重視「文化永續」（原住民族文化保存、傳統技藝傳承），在與關山電光社區地方多次座談及藝文交流活動建立共識後，以每年在關山縱谷巒綿山峰與稻田間所上演全村總動員的大地劇場《戲說雷公火》。
108 年以戲劇創作工作坊為擾動策略，藝術跨域課程整合應用，透過藝術的滲透力，挖掘地方精彩多元的文化底蘊，結合在地藝師與地方資源，以戲劇演繹臺東在地故事目標，研發藝術跨域實踐之為表演、天然染戲服、木刀、樹皮揹袋及音樂進行一連串的傳承學習，同時也試著整理電光部落文化體驗活動。
109年演出首次嘗試採取售票方式，成功吸引外地及在地超過百人參與本次藝術活動，對於社區而言無疑是一個新的里程碑，也讓居民看見自身擁有文化資源的特殊性與可能性，新開拓了一條地方永續經營發展的道路，正是本計畫目標，積極引導在地居民發展自身能量，成為地方創生主體，建立根植在地內容創作和品牌效果，帶動地方發展，場域永續經營。
The drama creation project of the Battle at Thunderbolt is the main project of Placemaking with the Art Program. With the core value of cultural sustainability, the Program held several speeches and events in Kaadaadaan Village to strengthen the rapport with residents, and worked annually with the village on the large theatre work of the Battle at Thunderbolt in the breathtaking scenery of rift valley and paddy field of Guanshan.
With domestic artists and resources from the communities, the Project covers theatre workshops, application on interdisciplinary courses, the penetration of art, and investigation of the rich and brilliant culture to demonstrate the stories of Taitung with playwriting, stage properties, scene design, Kaadaadaan folk songs, cloth dyeing artwork, bark artwork, wooden knife, and inherited heritage. In 2020, the project sold tickets and attracted over 100 participants. As a result, the worth, uniqueness, possibilities, sustainability, empowerment, and creation autonomy of the heritage were given to the residents of the village through the project.
【亮點】臺東縣．綠島．國家人權博物館：
2020綠島人權藝術季「記憶．邊緣－北藝大特展」
【Highlight】Taitung County, Green Island, National Human Rights Museum
2020 Green Island Human Rights Art Festival
“Remembrance & Marginalization – TNUA Special Exhibition”
經過一個學期的課程與學習，學生透過對於記憶政治的文本閱讀與不同學院老師對於藝術形式參與社會議題的經驗分享，逐步構思自身所關切的議題，在臺灣過去民主轉型時代與現今社會關係中找到一個切入點，並透過藝術媒介轉化成創作，計5學院9系所同學提出跨學院系所10個精彩提案。
提案評選會邀請國家人權博物館陳俊宏館長、本校陳愷璜校長、臺灣應用劇場發展協會賴淑雅老師與108年曾經參展綠島人權藝術季的參展藝術家蔡海如女士來擔任評審委員，除了運用自身在人權議題與藝術專業上給予評審建議外，選取5件優秀提案作品參與「2020綠島人權藝術季－北藝大特展」，以為期4個月的北藝大特展形式於園區呈現；作品涵蓋視覺影像繪畫、新媒體藝術、劇場裝置等表現手法，著眼於綠島曾作為囚禁政治犯之監獄島的歷史，回應臺灣這段威權統治歷史和綠島作為離島的地理位置所交織出的多重「主流—邊緣」關係，試圖翻轉既有思維、重畫座標，反思臺灣社會該如何面對/記憶這段歷史，並進而連結到當代之民主課題。
After a semester of experiences, lectures, reading, and sharing, students pondered the issues of their concern and surveyed deeper into the early democracy of Taiwan, and demonstrated them with artworks. Judges, including Chen Chun-Hung, Director of National Human Rights Museum, Chen Kai-huang, President of TNUA, Lai Shu-Ya from the Centre for Applied Theatre Taiwan, Tsai Hai-Ru, artist of the 2019 Green Island Human Rights Art Festival, will choose five outstanding artworks to participate in the 2020 Green Island Human Rights Art Festival: the TNUA Special Exhibition. The artworks demonstrate memories through visual paintings, new media art, theatrical installations in reversive perspectives of marginalization of Green Island, the once lone island of political prisoners, and Taiwan, the once authoritarianism-ruled nation, and discussed the encounter and memories of history.
{{ $t('FEZ003') }}2021-10-25
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{{ $t('FEZ004') }}2025-01-03|
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